You have just described the poster boy for self publishing.
That's not a coincidence. This is a contrived example after all. What I'm trying to get at is that assuming the perfect scenario, is the ecosystem of services there to cater to these guys. Is it feasible that such an author would be able to handle online marketing (getting them into online stores, not getting interviews on morning radio) of physical and ebooks. Would he be able to handle the production of actual printed books?
Also, on the "art" side. Are editor-for-hire types doing the same thing as editors working for publishing houses? Is the relationship the same?I love books. I had a lot of hopes for ebooks in terms of what they'll do for authors. Apart from a pleasant enough reader experience, I haven't felt any earth shattering changes from ebooks.
The ecosystem is there, and getting better all the time.
Reasonable recommendations for ancillary publishing services can be found on any of the popular writer's forums like absolute write or the author's cafe on kboards. Several relevant subreddits also exist.
Like everything, there are scammers and people looking to make a quick buck for shoddy work, but there are also a LOT of frustrated former English and Art majors who have hung out a shingle.
As far as editing goes, you can pay for pretty much anything the publishing houses provided, from a proofreading to copyediting, even a developmental edit (recommendations on story structure, what works, what doesn't work, etc.).
In my experience, book design and editing are easily handled by most authors with even an iota of motivation. It's the marketing that baffles most people. Congratulations, you wrote a book, now what? etc.
That's not a coincidence. This is a contrived example after all. What I'm trying to get at is that assuming the perfect scenario, is the ecosystem of services there to cater to these guys. Is it feasible that such an author would be able to handle online marketing (getting them into online stores, not getting interviews on morning radio) of physical and ebooks. Would he be able to handle the production of actual printed books?
Also, on the "art" side. Are editor-for-hire types doing the same thing as editors working for publishing houses? Is the relationship the same?I love books. I had a lot of hopes for ebooks in terms of what they'll do for authors. Apart from a pleasant enough reader experience, I haven't felt any earth shattering changes from ebooks.