Yes, which originally came from Cyberpunk, the first sourcebook for which was released in 1988, with Cyberpunk 2020 releasing in 1990 complete with the idea for pre-recorded replayable memories/full sensory experience, ie:Braindance.
Strange Days was released in 1995.
Maximum Mike was, and is, a prophet right alongside Gibson.
edit: Although almost certainly this wasn't the first place people imagined being able to record and playback memories.
Brainstorm (1983) did it before Neuromancer. The movie is about a device that records and replays sensory and emotional experiences, and a central plot point is that it records the dying moments of a character.
I thought the central point was the porn played on a loop. Maybe I was distracted and missed the real plot. Also maybe mixed up by the fact that one of the principle actors died in real life while the movie was being made.
The porn thing showed that the device could be harmful to the viewer. This adds another dimension of risk to the later scenes where the Walker character is experiencing the death tape.
The actor was Natalie Wood, and the event is shrouded in mystery about how she died. However, the character who dies in the movie is played by Louise Fletcher.
The military stuff is a McGuffin-type subplot. The real plot is the main character's obsession with seeing Lillian's vision of the afterlife.
The author of the screenplay, Bruce Joel Rubin, is a self-described spiritual teacher, and "transitional journeys" is kind of his thing. His three most well-known films (Brainstorm, Ghost, and Jacob's Ladder) are all about characters experiencing the afterlife in some way.
