I'll never defend "Lost in Space" as a cinematic tour-de-force in the traditional sense but I'll be damned if it isn't one of the most quintessentially-90s films ever made. It has Silicon Graphics logos and bubble-shaped silver electronics everywhere. William Hurt managed to find time to slip away from the "Dark City" set to make an appearance. Pre-Felicity Shagwell/post-Rollergirl Heather Graham fends off advances from Joey Tribbiani while the crazy guy from "Leon: The Professional" makes a bunch of bizarre wisecracking non-sequiturs. A brash Big beat remix of the original TV theme blares over the credits immediately following a fight involving a giant CGI (SGI?) spider.
I disliked it intensely as a kid but enjoy it a lot in retrospect because of my high-resolution nostalgia goggles.
I'll never defend "Lost in Space" as a cinematic tour-de-force in the traditional sense but I'll be damned if it isn't one of the most quintessentially-90s films ever made. It has Silicon Graphics logos and bubble-shaped silver electronics everywhere. William Hurt managed to find time to slip away from the "Dark City" set to make an appearance. Pre-Felicity Shagwell/post-Rollergirl Heather Graham fends off advances from Joey Tribbiani while the crazy guy from "Leon: The Professional" makes a bunch of bizarre wisecracking non-sequiturs. A brash Big beat remix of the original TV theme blares over the credits immediately following a fight involving a giant CGI (SGI?) spider.
I disliked it intensely as a kid but enjoy it a lot in retrospect because of my high-resolution nostalgia goggles.