I'd compare that to hearing Bach on period instruments, or Beethoven on a fortepiano. I actually played a modern reproduction of one of those.
Yeah, it IS closer to what people experienced then. I can't argue that.
But we're different; the halls are different; our ears are different. The miracle of Shakespeare (or Beethoven) is that it still means something to us, no matter how much you torture it.
Yeah, it IS closer to what people experienced then. I can't argue that.
But we're different; the halls are different; our ears are different. The miracle of Shakespeare (or Beethoven) is that it still means something to us, no matter how much you torture it.