Exactly. I think I'm more annoyed at this point with the myth of the ignorant Medievals than I am with the myth of the flat earth itself.
Even knowing the earth is round, if I were going to put things in a "straight line" geographically, I'd do it with the reference most people would actually use and see: a 2D map.
> most people would actually use and see: a 2D map
The expert used spherical mathematics. This was quite widespread knowledge required to build proper sun dials and in the Late Medieval period for long distance navigation. Some were able to use analog computers, called "armillary spheres", for the calculations, which were known since Antiquity.[1]
Most people aren't experts. If I'm setting up a bunch of churches in a line to make a point, I'm doing it to make a point to the vast swath of common people in them, not the handful of experts.
You have made the assumption that the line-up was done for the sake of human people, whether common or expert. When choosing the site to build a religious facility, would not the sake of the deity(s) being worshiped be a primary consideration?
Only the experts of that time could have found out that this churches are all lined up according to the Meracator projection, if they had any idea of that projection at all. It seems rather as if your top-secret St. Michael's conspiracy, which, without leaving any written traces, when carrying out its secrete plan over several centuries using advanced cartographic and geodetic knowledge to determine longitudes, was aimed at the mystery-susceptible people of our times.
That's not necessarily true. I recently read Barnabas Calder's Architecture: From Prehistory to Climate Emergency which contains several mentions of the incredible detail architects put into their work- from ancient Greece through mediaeval cathedrals. Details and design which would not have been noticed by any eye but an expert's.
I'll try to look up an exact quote later. But the gist of several passages was that there was an elite or expert community- obviously, or nobody would have been designing buildings like this!
Let's assume for the sake of this discussion that the 7 sites are deliberately aligned by somebody. They would presumably be a powerful elite, and would be doing it to impress other powerful elites.
I'd say the bigger question is whether or not the projection used at the time of design was one that would show the straight line. The Mercator projection was first invented in 1569 [1]
This has to be the core of it. If the underlying question is "was this alignment intentional" then you could start by asking whether there are extant maps with better cathedral alignment than Mercator.
These places are old. Skellig Michael goes back past 823AD, Mont-Saint-Michel is about the same sort of age, and the Sanctuary of Monte Sant'Angelo goes back to 490AD(ish). San Michele Arcangelo is on top of a pre-Christian pagan temple. Stella Maris is on an Old Testament Biblical site. None of them is less than a thousand years old.
The bar for finding a map that happens to align, and then explaining how it was made, is not a low one.
There is a projection that might fit, though: Plate Carrée is definitely old enough, and a brief visual sanity check doesn't make it look totally off.
Why do we need to assume widespread maps for this? Or even maps of the entire globe? A regional map showing barely more than a rectangle with this as its diagonal would be sufficient to get the point across to the average layperson.
Virtually everything in church design is meant to communicate truths of the faith to illiterate laypeople. That's part of why pictures feature so prominently. They're telling stories to people who can't read. The sense of space, and the drawing of the attention upward, they're also communicating to people on purpose.
If the argument is that the sites were not intentionally built in a line, that it just happened this way, that there just happen to be seven prominent hills with churches built on them that refer to St. Michael (or 6 and Mt. Carmel, which is associated with him in another way), I guess that's a different conversation, but I thought the idea here was that these were lined up somehow on purpose, at least for the latter built ones, and were intentionally built to be "in a line" by some meaning of the term.
The line is long enough for the curvature of the earth, and the subsequent distortion in the map projection, to be relevant. Notice that they're closer to a straight line on Mercator than to the geodesic: that means if you were to use purely local referencing to align the sites, they wouldn't end up where they are. You only get them to line up when you distort the natural geography with a projection of some sort, so if you want to make an argument that they were intentionally built on a line, you also have to account for the systematic deviation from the geodesic. And that prompts the question of whether that's remotely feasible given what we know of the history of cartography.
What I'd want to know is how old the story of St Michael's Sword actually is. Not the churches, but what's the earliest reference to them being in a line. My bet is that it's well after Mercator, and probably safely after the 18th century, when chunks of Europe got geodetic surveys done.
Even knowing the earth is round, if I were going to put things in a "straight line" geographically, I'd do it with the reference most people would actually use and see: a 2D map.