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It’s a technique used heavily in psychedelic art and set design for festivals and events, particularly before projection mapping became the norm. When there’s spectral control of the lighting source this can be varied to bring out extremely contrasting detail in a surface or set of surfaces. As with most techniques its usage can range from pure gimmick to beautifully executed mastery.



> to beautifully executed mastery

Imagine a Mona Lisa that only smiles in a cloudy evening!


Imagine a landscape painting whose sky always reflects the current weather and time of day!


Easy, just use a mirror!

But what about the opposite? A sunny landscape when it's cloudy outside, and a cloudy landscape when it's sunny?




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