> letter frequency is not taken into account.False.
Considering the progression of pattern through the A-Z alphabet, it's extraordinarily unlikely this has anything to do with letter frequency. It's instead quite clear that if the alphabet happened to be recited in a different order, these dots would have the same progression but assigned to different letters.
Have a look at the research behind the "fitaly" stylus keyboard for what goes into "taking letter frequency into account".
With a stylus, the predominant goal is likely to keep movement to a minimum. It may seem to you that a similar dynamic would apply to letters, but in practice it's not the only driving factor. Other factors like the ambiguity caused by sparseness must also be weighed.
> quite clear that if the alphabet happened to be recited in a different order, these dots would have the same progression but assigned to different letters
That is very far from clear. If you'd think for a moment, you'd probably be able to come up with about 10 patterns that could have been used, that appear about as deliberate. As mentioned below, mappings with and without patterns (many more without) were considered.
If you think you've identified a better pattern, post it here. I'd be interested in seeing it.
Vowels touch the top and bottom of the line, visually outlining the word and providing a sense of center (vowels also use the most dots, where consonants are sparse)
More common consonants use smaller (sparse) dot patterns getting denser as you get into less common (frequent) letters
More common consonants frame the center dot (to contrast the vowels which touch the edges/outside dots) using the less centered patterns as frequency decreases
All the glyphs fit into the 1x5 grid (the letter "Z" was 2 columns wide in the original)
Also worth noting: where possible I tried to make the glyphs memorable ("i" is the best example, followed by "o" and "z")
In retrospect, it may be a good idea to swap the glyphs of my current "B" for the "Y" since y is a semi-vowel it would touch both edges, where "B" has no reason to.
EDIT: here is a second attempt where ONLY vowels touch both edges, and Y is swapped (and touches both edges as a semi-vowel)
> More common consonants use smaller (sparse) dot patterns getting denser as you get into less common (frequent) letters
A few mappings emphasizing fewer dots for frequent letters (making for "sparser" words) were tried out and moved away from. The more speckled-looking words tend less to form concrete shapes and create "blocks" that stand out to the eye. If words are too dense you get similar issues, only in the negative. The optimum seems to be on the sparse side, but not overly sparse.
> Also worth noting: where possible I tried to make the glyphs memorable ("i" is the best example, followed by "o" and "z")
The original dotsies O and I are relatively memorable.
> More common consonants frame the center dot (to contrast the vowels which touch the edges/outside dots)
I could see how that could be interesting. How that would balance against the trade-off of ambiguity between similar letters (like s and t) would probably be hard to tell before one tried it.
I wonder if it would be worth coding up a page that lets people make their own mapping and preview them on some text, and posting it to HN.
With a few minutes of thought and with reasons behind your choices, you've produced a more legible system.
Regardless of OP's protestations, the diagonal one dots, two dots, etc., have nothing to do with legibility and everything to do with alphabetic order mirrored in dot order.
You're continuing to presume there's only one pattern, and it's the one that was picked. To drive home the point that this isn't the case, I'll list some out:
Now, why is it implausible that one or two of the many possible mappings with a pattern has tradeoffs about as good as the best of the many possible mappings without a pattern? Especially when the former have the pretty significant advantage out of the gate that the pattern makes them easier to remember.
Note that a valid critique of the many possibly mappings without patterns compared to the many possible mappings with patterns is that they are harder to learn.
If you put a lot of weight on the dots visually correlating to the numbers, see A, C, F, G, H, I, K, L, O, P, R, S, V, and X - all have a decent correlation.
> Note that a valid critique of the many possibly mappings without patterns compared to the many possible mappings with patterns is that they are harder to learn.
BS. You don't read in alphabetical order. Just because you can reproduce the dot pattern doesn't mean you've "learned" it for its purpose. That the letter e comes between d and f is not relevant to trying to read.
Let's say you're looking at a letter that's the lowest dot and you've forgotten what it is, but you remember that d is the 2nd lowest and f is the next in the pattern (the 2 highest). For you to be right, it would have to not occur to the average person that they can use their Sherlock Holmesian skills of deduction to figure out they're looking at an e.
Or, of course, they could just go through the pattern in their mind until they get to that letter, then they'd have it.
> Other factors like the ambiguity caused by sparseness must also be weighed.
The current pattern doesn't suggest weighing of anything. You marched the dots down diagonally, first sets of one, then two, and so on. You mirrored alphabetical order with numerical dot order. You're now trying to justify that after the fact. It's not credible.
It's too bad you're choosing to argue instead of seriously considering the surprisingly thoughtful feedback several others have given you here.
For example, my point about FITALY was obviously not about the stylus movement. The similar dynamic isn't movement distance, the similar dynamic would be a statistical use of the legibility of adjacent dot columns. My point was the research that went into Fitaly:
"These figures are obtained using a corpus of digraph probabilities similar to that described by Soukoreff and MacKenzie (1995)... We have measured the frequency of letter-to-letter transitions for a representative corpus of the English language with several millions of characters. For example, this produces the number of times the letter o is followed by the letter a."
Given a dot matrix, there are a limited number of dot patterns. It's straightforward to measure the legibility of those dot patterns to humans of normal visual acuity (using mechanical turk for example), then to mathematically derive a letter assignment that maximizes legibility across, say, the Brown Corpus.
Considering the progression of pattern through the A-Z alphabet, it's extraordinarily unlikely this has anything to do with letter frequency. It's instead quite clear that if the alphabet happened to be recited in a different order, these dots would have the same progression but assigned to different letters.
Have a look at the research behind the "fitaly" stylus keyboard for what goes into "taking letter frequency into account".