Yeah, the difference is just that the first movie’s DP was aiming for a naturalistic shot, whereas the second DP wasn’t. Tons of 80s and 90s movies have heavily-stylised non-naturalistic lighting (e.g Tim Burton’s Batman)
Going further back in history there's also this thing called Film Noir that further disproves the argument that digital cameras (or, more narrowly, Netflix) is the origin of the high-contrast look.
I mean, even the most celebrated film of all time, Citizen Kane, is celebrated among other things for its stark contrast and that was shot in 1941 or thereabouts.
