Here are some classics in cognitive psychology with direct quotes that illustrate some of the main themes:
Richard Rhodes (1986) Making of the Atomic Bomb
"In scientific work, creative thinking demands seeing things not seen previously, or in ways not previously imagined; and this necessitates jumping off from 'normal' positions, and taking risks by departing from reality. The difference between the thinking of the paranoid patient and the scientist comes from the latter's ability and willingness to test out his fantasies or grandiose conceptualizations through the systems of checks and balances science has established – and to give up those schemes that are shown not to be valid on the basis of these scientific checks. It is specifically because science provides such a framework of rules and regulations to control and set bounds to paranoid thinking that a scientist can feel comfortable about taking the paranoid leaps. Without this structuring, the threat of such unrealistic, illogical, and even bizarre thinking to overall thought and personality organization in general would be too great to permit the scientist the freedom of such fantasying." (p. 151)
Daniel Kahneman (2011) Thinking, Fast and Slow
"In the current view of how associative memory works, a great deal happens at once. An idea that has been activated does not merely evoke one other idea. It activates many ideas, which in turn activate others. Furthermore, only a few of the activated ideas will register in consciousness; most of the work of associative thinking is silent, hidden from our conscious selves. The notion that we have limited access to the workings of our minds is difficult to accept because, naturally, it is alien to our experience, but it is true: you know far less about yourself than you feel you do." (p. 52)
Thomas Kuhn (1962) Structure of Scientific Revolutions
"One suspects that something like a paradigm is prerequisite to perception itself. What a man sees depends both upon what he looks at and also upon what his previous visual-conceptual experience has taught him to see. In the absence of such training there can only be... a 'bloomin’ buzzin’ confusion'" (p. 113)
Richard Rhodes (1986) Making of the Atomic Bomb
"In scientific work, creative thinking demands seeing things not seen previously, or in ways not previously imagined; and this necessitates jumping off from 'normal' positions, and taking risks by departing from reality. The difference between the thinking of the paranoid patient and the scientist comes from the latter's ability and willingness to test out his fantasies or grandiose conceptualizations through the systems of checks and balances science has established – and to give up those schemes that are shown not to be valid on the basis of these scientific checks. It is specifically because science provides such a framework of rules and regulations to control and set bounds to paranoid thinking that a scientist can feel comfortable about taking the paranoid leaps. Without this structuring, the threat of such unrealistic, illogical, and even bizarre thinking to overall thought and personality organization in general would be too great to permit the scientist the freedom of such fantasying." (p. 151)
Daniel Kahneman (2011) Thinking, Fast and Slow
"In the current view of how associative memory works, a great deal happens at once. An idea that has been activated does not merely evoke one other idea. It activates many ideas, which in turn activate others. Furthermore, only a few of the activated ideas will register in consciousness; most of the work of associative thinking is silent, hidden from our conscious selves. The notion that we have limited access to the workings of our minds is difficult to accept because, naturally, it is alien to our experience, but it is true: you know far less about yourself than you feel you do." (p. 52)
Thomas Kuhn (1962) Structure of Scientific Revolutions
"One suspects that something like a paradigm is prerequisite to perception itself. What a man sees depends both upon what he looks at and also upon what his previous visual-conceptual experience has taught him to see. In the absence of such training there can only be... a 'bloomin’ buzzin’ confusion'" (p. 113)