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Concur wholeheartedly. Van Gogh's unusual color choices are a feature, not a bug. The author asserts that the muted color pallet for 'The Harvest' imbues the painting with an autumnal glow. For me, it removes the element of the painting that I find most interesting. The other comparisons fall along similar lines.

Of course, this is art, and it's not truly possible for either of us to be 'wrong'. Taking a new perspective on Van Gogh's art is itself interesting, so this is a great read, even if I disagree with some of his conclusions.



Yes, I think it would be quite interesting to have a museum exhibition where a high quality print of a original Van Gogh is displayed next a high quality print of the filtered version. I would defiantly pay to see that

I wonder if any other famous artists saw their work differently than the rest of us?


Definitely.

If you have problems with this word then it may help to think of it as De[finite]ly - and tie that in your mind to "finite" meaning "measurable".

(Sorry to be a spelling nazi but the use of the 'a' in defiantly indicates this is not a typo.)


> I wonder if any other famous artists saw their work differently than the rest of us?

Ludwig van Beethoven's hearing started to deteriorate early on and eventually he became completely deaf though he continued to compose.

Of course there has to be a substantial difference between losing a sense or never to have had it but we don't know whether Van Gogh's altered vision was there from birth or the alteration happened later in his life.

I agree with both of you, most of the pictures lose a lot of character and uniqueness in the "corrected" versions; though one or two of them gain an incredibly realistic feeling of ambiance.

Better or not? Shouldn't even be the question - but it is an interesting theory and result!


There are some who argue that Beethoven's metronome was broken, and his deafness was part of the reason he didn't realize it. Here's an article about it: http://www.nytimes.com/1987/02/19/arts/critic-s-notebook-pon...

Along those lines, John Eliot Gardiner conducted Beethoven's 9 Symphonies with Beethoven's metronome markings and with instruments that would have been used at that time period. It's a very different sound that I'm a huge fan of, though I think it wasn't particularly embraced by traditionalists.




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