honestly I think that's an artifact of how often he is imitated. having read more than my share of seed fund about pages in the past few months, there is particular flavor you encounter over and over again that can only be described like "ah yes, I see you also have read zero to one." heavy emphasis on the transformative over the incremental, hard tech, disinterest in pedigree and traction given a shamanistic insistance that they are uniquely capable of identifying the visionaries of tomorrow, constant reminders they go against the grain and buck consensus, punchy copy talking about bold iconoclasts making the future of tomorrow yadda yadda
the three big aesthetic/intellectual strains of sv thought as I see them are truetype protagonist gleaming tech optimism a la early pmarca blog, folksy practicality a la pg, and dark horse contrarianism a la thiel. leonardo, donatello, raphael (turtles, not painters). but he did originate the kernel of it and can't really be faulted for the imitators
what actually makes him interesting tho is he's a disciple of rene girard, who argued among other things that the basis of socialization and social conflict is mimesis, which goes a long way to explaining his fixation on avoidance of imitation (and makes the raft of imitators that much funnier imo)
the three big aesthetic/intellectual strains of sv thought as I see them are truetype protagonist gleaming tech optimism a la early pmarca blog, folksy practicality a la pg, and dark horse contrarianism a la thiel. leonardo, donatello, raphael (turtles, not painters). but he did originate the kernel of it and can't really be faulted for the imitators
what actually makes him interesting tho is he's a disciple of rene girard, who argued among other things that the basis of socialization and social conflict is mimesis, which goes a long way to explaining his fixation on avoidance of imitation (and makes the raft of imitators that much funnier imo)