Life imitates art when it comes to tech; it's a hydra of an ouroboros[1] eating its own tails with its many heads. We did this to ourselves?
It’s already happening in India and China. I’m sure it’s happening here too, with an added startup component with the example of Clearview AI. The big companies get in on the action too:
‘There are many companies that offer facial recognition products and services, including Amazon, Microsoft and FaceFirst. Those companies all need access to enormous databases of photos to improve the accuracy of their matching technology. But while most facial recognition algorithms are trained on well-established, publicly circulating datasets — some of which have also faced criticism for taking people’s photos without their explicit consent — Ever is different in using its own customers’ photos to improve its commercial technology.‘[2]
'In the 1998 Hollywood thriller Enemy of the State, an innocent man (played by Will Smith) is pursued by a rogue spy agency that uses the advanced satellite “Big Daddy” to monitor his every move. The film — released 15 years before Edward Snowden blew the whistle on a global surveillance complex — has achieved a cult following.'
It was, however, much more than just prescient: it was also an inspiration, even a blueprint, for one of the most powerful surveillance technologies ever created. So contends technology writer and researcher Arthur Holland Michel in his compelling book Eyes in the Sky. He notes that a researcher (unnamed) at the Lawrence Livermore National Laboratory in California who saw the movie at its debut decided to “explore — theoretically, at first — how emerging digital-imaging technology could be affixed to a satellite” to craft something like Big Daddy, despite the “nightmare scenario” it unleashes in the film. Holland Michel repeatedly notes this contradiction between military scientists’ good intentions and a technology based on a dystopian Hollywood plot.'
'In 2006, the cinematically inspired research was picked up by DARPA, the Defense Advanced Research Projects Agency, which is tasked with US military innovation (D. Kaiser Nature 543, 176–177; 2017). DARPA funded the building of an aircraft-mounted camera with a capacity of almost two billion pixels. The Air Force had dubbed the project Gorgon Stare, after the monsters of penetrating gaze from classical Greek mythology, whose horrifying appearance turned observers to stone. (DARPA called its programme Argus, after another mythical creature: a giant with 100 eyes.)'[3]
It’s already happening in India and China. I’m sure it’s happening here too, with an added startup component with the example of Clearview AI. The big companies get in on the action too:
‘There are many companies that offer facial recognition products and services, including Amazon, Microsoft and FaceFirst. Those companies all need access to enormous databases of photos to improve the accuracy of their matching technology. But while most facial recognition algorithms are trained on well-established, publicly circulating datasets — some of which have also faced criticism for taking people’s photos without their explicit consent — Ever is different in using its own customers’ photos to improve its commercial technology.‘[2]
'In the 1998 Hollywood thriller Enemy of the State, an innocent man (played by Will Smith) is pursued by a rogue spy agency that uses the advanced satellite “Big Daddy” to monitor his every move. The film — released 15 years before Edward Snowden blew the whistle on a global surveillance complex — has achieved a cult following.'
It was, however, much more than just prescient: it was also an inspiration, even a blueprint, for one of the most powerful surveillance technologies ever created. So contends technology writer and researcher Arthur Holland Michel in his compelling book Eyes in the Sky. He notes that a researcher (unnamed) at the Lawrence Livermore National Laboratory in California who saw the movie at its debut decided to “explore — theoretically, at first — how emerging digital-imaging technology could be affixed to a satellite” to craft something like Big Daddy, despite the “nightmare scenario” it unleashes in the film. Holland Michel repeatedly notes this contradiction between military scientists’ good intentions and a technology based on a dystopian Hollywood plot.'
'In 2006, the cinematically inspired research was picked up by DARPA, the Defense Advanced Research Projects Agency, which is tasked with US military innovation (D. Kaiser Nature 543, 176–177; 2017). DARPA funded the building of an aircraft-mounted camera with a capacity of almost two billion pixels. The Air Force had dubbed the project Gorgon Stare, after the monsters of penetrating gaze from classical Greek mythology, whose horrifying appearance turned observers to stone. (DARPA called its programme Argus, after another mythical creature: a giant with 100 eyes.)'[3]
[1] https://en.wikipedia.org/wiki/Ouroboros
[2] https://www.nbcnews.com/tech/security/millions-people-upload...
[3] [3] https://www.nature.com/articles/d41586-019-01792-5