Yeah, there's definitely a sort of implied (or attempted) transition in several scenes. From leaving the forest to reaching the cherry bushes, for example. The camerawork changes a bit and they subtlely crest a hill into the cherry bushes, if I recall correctly. I took these sorts of camera techniques to imply chronological progression.

I could discuss a few more but don't want to spoil. I had the pleasure of watching it twice in theatres and the cinematography, lighting, and editing just blew me away.