It's always struck me as appealing to an upper crust, New England liberal arts elite with a heavy focus on discursive essays on dead literary figures and trying to recapture the cultural pinnacle that was New York City in the 1950s
You obviously missed the Tina Brown years.
The New Yorker has always covered a wide variety of topics; it's eclecticism is part of its charm.
You obviously missed the Tina Brown years.
The New Yorker has always covered a wide variety of topics; it's eclecticism is part of its charm.