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He says he 'went looking for them.' I dug around a bit and there's not a lot of really concrete numbers. Here's what I found:

> Since 2000, the number of full-time songwriters in Nashville has fallen by 80 percent, according to the Nashville Songwriters Association International

https://www.tennessean.com/story/entertainment/music/2015/01...

> According to the Bureau of Labor Statistics, there were 39,260 people in the United States classified as “Musicians and Singers.” This is down 27% from 53,940 in 2002.

https://www.digitalmusicnews.com/2015/07/16/if-you-think-pir...

> At the same time, consumers spent less money on recorded music (both physically and digitally distributed) than they had in the 1990s.[13] Total "music-business" revenues in the U.S. dropped by half, from a high of $14.6 billion in 1999 to $6.3 billion in 2009, according to Forrester Research.[14]

https://en.wikipedia.org/wiki/Music_industry

> For many musicians, the income derived from sound recordings is a small part of their overall revenue pie, and it’s decreasing. In aggregate, 88% of survey respondents derived between 0% and 10% of their music-related income from sound recordings in the past 12 months. Respondents who identified themselves as composers and/or recording artists were making a bit more, as were rock and hip hop musicians, but even when examined through various lenses like role or genre, income from sound recordings hovered under 15% of music-related income. Though differences exist by role and/or genre, the survey data suggests that income from sound recordings is a modest slice of most musicians’ income pies – a sentiment also expressed by a number of interviewees.

http://money.futureofmusic.org/sound-recording-income/9/

also relevant for the TV industry:

> According to the Writers Guild Association – West, screenwriters’ earnings were down nearly 25 percent in 2013 from 2009.

https://www.digitalmusicnews.com/2015/07/16/if-you-think-pir...




Thanks! The first quote is indeed a useful bit of evidence. the second one doesn't help us distinguish from the alternative hypothesis where almost all musician income is collected by a very small number of very wealthy people, with few middle class people in the first place.


It was interesting trying to find reliable stats on this. I might look into it more one day in the future




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