About a year ago, I spent a weekend building a letterpress. It's turned into a fun hobby.
Printmaking is much more difficult than I'd have expected. One of the biggest challenges is maintaining a clean, inkless field. It's so easy to get ink on your hands, at which point it's nearly impossible to pick up a sheet of paper without smudging it before you're within three feet of the press itself. Registration (proper alignment) is a challenge as well, but is manageable. Working slowly and deliberately is difficult but certainly rewarding (though the reward here is spending an hour with lacquer thinner cleaning off the type, but I digress).
Even so, it feels great to take a Saturday evening away from the Internet, sit down with a set of lead 72pt Franklin Gothic, a brayer and ink, and print a few runs of something that strikes you as amusing at the moment.
Here are a couple photos from the last experiment:
Printmaking is much more difficult than I'd have expected. One of the biggest challenges is maintaining a clean, inkless field. It's so easy to get ink on your hands, at which point it's nearly impossible to pick up a sheet of paper without smudging it before you're within three feet of the press itself. Registration (proper alignment) is a challenge as well, but is manageable. Working slowly and deliberately is difficult but certainly rewarding (though the reward here is spending an hour with lacquer thinner cleaning off the type, but I digress).
Even so, it feels great to take a Saturday evening away from the Internet, sit down with a set of lead 72pt Franklin Gothic, a brayer and ink, and print a few runs of something that strikes you as amusing at the moment.
Here are a couple photos from the last experiment:
Printed: http://www.flickr.com/photos/cscotta/5018870586/lightbox/
Letterpress: http://www.flickr.com/photos/cscotta/3825133446/
(See the "luck" tag for a couple in-process shots)