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I've been thinking lately about the "sloppy reasoning" problem of critical theory. I used to really love critical theory when I was younger, but now that I'm older I'm almost ready to dismiss it as entertaining crank writing at a time when western civilization was exploring new boundries and slightly adrift. It has more in common with artistic expression than critical methodology. Still valuable, but should not be taken as seriously as it currently is in academia - at least in my opinion.

I came to this opinion when I stayed at a friends' place recently who had a massive collection of critical theory, and I had not read any crit in years. I read a few of the books, and to my own surprise, my reaction was "what the hell is this nonsense?" The ideas were certainly interesting, but had no real provable basis, and just seemed to be the reasoned expression of one author's individual sense of alienation - more like artistic expression than any real solution to the dilemma of civilization or consciousness.




> The ideas were certainly interesting, but had no real provable basis, and just seemed to be the reasoned expression of one author's individual sense of alienation - more like artistic expression than any real solution to the dilemma of civilization or consciousness.

Why do you think all ideas that need to be taken seriously should be provable, provide solutions, or, indeed anything other than the author's own sense of alienation? This isn't science and doesn't purport to be. Those are works of literature, intended, like all literature, to give one an interesting perspective on life and the world. Shakespeare is taken very seriously in academia, and he provides nothing more than an artistic expression.

If anything, I think that the problem is that laypeople and academics speak different languages, and laypeople misunderstand exactly how academics view this literature. In short, they do not consider it to be in the same genre as Newton's law and the same kind of applicability to physical reality.


I don't think it has no value - I'm just saying it has more in common with art (like Shakespeare, as you mentioned) than Theory. Perhaps it's a confusion of terms on my part.

I disagree that it's an academic/layperson divide, because I have a background in liberal arts at the academic level. When I was at school, I was writing papers where I REALLY needed to make sure my points were concrete, well-expressed, and well-cited. It was all about transforming a hypothesis into a theory. A lot of new critical theory seems to meander into oblivion in contrast to the strict expression of other academic fields.

Maybe, like you said, I'm just not up on the academics of it.


> Why do you think all ideas that need to be taken seriously should be provable, provide solutions, or, indeed anything other than the author's own sense of alienation?

Because they're part of the Social Sciences.

> This isn't science and doesn't purport to be.

Well, it certainly purports to be.


> Because they're part of the Social Sciences.

Critical theory? No. It's more part of the humanities.

> Well, it certainly purports to be.

Absolutely not. Why do you think that? Even many actual social scholars (historians, anthropologists) would object to being called scientists, or, at least, would always emphasize that if you want to call what they do science, it is not science in the same sense as chemistry.


Them using the term "theory" while not doing any of the hard work of science is equivocation.


They're doing hard work, just not scientific work. It's not "better" or "worse" than science; it's just something completely different. Science doesn't have a monopoly on the word "theory". It's been in use long before science (at least as we know it since the 17th century) existed.


> They're doing hard work, just not scientific work. It's not "better" or "worse" than science; it's just something completely different.

It's amazing how much of this would apply to alchemy, or astrology, or religion.

So the question becomes, why would anyone pay attention to it?


Why would anyone pay attention to science? It all depends on what you want to achieve and what your values are. The difference between alchemy and literature is that alchemy purports to have the same goals as science -- at which it fails -- while literature has completely other goals.


I'm not talking about literature. I'm talking about critical theory, which is not the same thing, and is a much later innovation.

Literature has proven itself useful. Critical theory has not.

(Also, I notice you didn't distinguish what makes critical theory different from religion.)


> I'm not talking about literature. I'm talking about critical theory, which is not the same thing, and is a much later innovation.

The two, as academic disciplines, have a lot in common (at least those parts of critical theory that I think you're referring to).

> Literature has proven itself useful. Critical theory has not.

I'm not sure how you make that assertion.

> what makes critical theory different from religion.

The way I learned it back in grad school years ago, religion doesn't have a precise definition but it is almost always required to have a normative component (which critical theory lacks) as well as some transcendence over ordinary existence (which critical theory also lacks). It is therefore debatable whether belief in cryonics or AI singularity, or the Silicon Valley-centered Rationality movement constitutes a religion (they are all normative and transcendental), but I see no way how critical theory can even be considered a religion any more than knitting could; I see no point of similarity. And no, consideration of truths without scientific evidence is neither necessary nor sufficient for being a religion. I consider Dostoevsky a primary source of truth, yet Dostoevsky is not a religion. It's truth of a different kind than scientific truth, but so is the truth of critical theory (or, rather, those "mushy" parts of it, that I think you're alluding to). If it resembles religion in any way is in its goal to interpret reality, rather than examine it merely factually, but, of course, interpretation is nor a sufficient condition for a religion, and probably not a necessary one, either.


> It is therefore debatable whether belief in cryonics or AI singularity, or the Silicon Valley-centered Rationality movement constitutes a religion

If you think being rational is a religion, you've fallen prey to the "All Sides Are Equal" bias, in that you can no longer tell that some philosophies are straight-up more useful than others.

Or is Christian Scientist "No Blood Transfusions Ever" just as useful at surviving major medical emergencies as the rational modern healthcare philosophy?

> It's truth of a different kind than scientific truth, but so is the truth of critical theory

This "different kinds of truth" leads right off the cliff of being unable to evaluate truth claims, and that is the royal road to being an anti-vaxxer, or an AGW denier, or a believer in whatever other fashionable nonsense is in vogue.


> If you think being rational is a religion

Oh, no, I didn't mean that rationality is a religion. I was referring to a movement, mostly based in Silicon Valley, that calls itself "Rationality" (and is only ostensibly about rationality; if you read their materials you'll see), and might qualify as a religion.

> This "different kinds of truth" leads right off the cliff of being unable to evaluate truth claims

Absolutely not. Hamlet really does kill himself, but that truth is not the same kind of truth as Hitler killing himself. Call it different logical theories (i.e. sets of axioms) or different simulations if you're more drawn to a mathematical or computational description of different kinds of truth. Of course, it is possible to reduce all those truths to the same system, but doing so is not very useful.


> Hamlet really does kill himself, but that truth is not the same kind of truth as Hitler killing himself. Call it different logical theories (i.e. sets of axioms) or different simulations if you're more drawn to a mathematical or computational description of different kinds of truth.

Axioms give us truth, but truth is inaccessible to us in the real world. Reality gives us probabilities, and our ideas about how the world works are good or bad based on how well they allow us to predict the world.

So saying that "Hitler killed himself" is not a "Truth" in that definition of the word, in that it does not follow from axioms, which means it can, conceivably, be disproven. "Hitler killed himself" is, at best, a fact, and facts are statistical in nature; of course, some probabilities are so close to 1 that denying them, or pretending they're uncertain, is insanity.

For more context on what I mean about facts being statistical, read this review of "Surfing Uncertainty":

http://slatestarcodex.com/2017/09/05/book-review-surfing-unc...

Hamlet's suicide is a fact about a fictional world, in that it's possible to interpret the text such that it didn't happen, and interpretation shapes meaning. Again, though, some interpretations have so little going for them, textually and logically, that they're non-starters.

So both come down to the same thing, a three-part summary where some people seem bound and determined to ignore, misinterpret, and outright lie about the third part:

1. Truth is only available to us from axiom systems, where it follows inescapably, such that it is impossible to come to any other conclusion within that system.

2. Real life isn't an axiom system. Real life is perceived exclusively as a statistical interpretation of incomplete and flawed sensory data. Compare this to quantum mechanics and I walk you through a mathematical interpretation of Heisenberg's Uncertainty Principle with reference to waves and linear mechanics, I swear to God.

3. However, and this is the part some people refuse to understand and I mean screaming-match level refuse to get, just because we don't have absolute certainty doesn't mean we don't know anything at all. All probabilities are not 50/50, everything is not equally likely, and it is possible to know enough about reality to predict what's likely to happen. That is what the brain does on a moment-to-moment basis and most people live in the same reality as everyone else, and the same reality as inanimate objects. Reality isn't purely a figment of our collective imagination, it isn't purely a matter of opinion, and there's no way to walk on thin air.


1. I don't understand what any of this has to do with what I said.

2. Beware of learning philosophy from slatestarcodex. What he writes may sound very smart and convincing to people who have not studied philosophy, but Scott Alexander is often very, very misleading and extraordinarily simplistic. Much of what he brings up has been debated intensely among philosophers, with more interesting insights than his. For example, the entire exposition you laid out, with its distinction between deductive proof and inductive/probabilistic extrapolation, had already been worked out, pretty much in full, but the 17th century (see, e.g. Leibniz). We've learned a thing or two since then. In general, Alexander (and, in fact, the Rationality movement with which, I believe, he is associated) represent more or less the state of philosophy in the 17th and 18th centuries. The choice of stopping at the 18th century is, of course, one of the many ideological choices made by the Rationality movement, so take with a huge grain of salt anything you read by an author associated with that movement. Not that it's not true -- it's just very inaccurate and so, misleading. As you brought up quantum mechanics, the philosophy of the Rationalists, let's call them, amounts to Newtonian mechanics. True, but inaccurate and misses (or, in their case, chooses to ignore) some interesting and important phenomena. Of course, Newtonian mechanics just sounds better to most people, as it fits with their observations, and that is precisely what the Rationalists count on: that their 18th century philosophy would sound "common sensical" to their philosophically-lay readers, while more modern philosophy would sound, like qunatum mechanics, bizarre and foreign, and so likely to be discounted or even ridiculed by their readers.


1. We're discussing the nature of truth, fact, and how we distinguish them.

2. My philosophy has relatively little to do with Slate Star Codex, so attacking him does nothing to disprove it.


The whole point of postmodern thought is to be a reaction to and an exploration of the inadequacies of scientific, modernist approaches. That said, most of the people critiquing that sort of thing are at least a couple decades behind the current state of academia.


Completely agree. To me critical theory has always seemed to represent more of a societal counterfactual (counterfactual meaning a "what if" scenario, not an actual falsehood) than valid economic/political arguments. The worst part about it is that everyone seems to have some pet individual theory about the way things should work, but there's no real way to objectively verify if someone's ideas are correct (and if there are, then those countries were somehow corrupted or didn't fit criteria 56 and 81), so people who should in practice agree with each other all divide up into their little competing camps over relatively minor ideological differences.


It would be interesting (maybe even amusing) to see a work of critical theory with distributed authorship via pull-requests to a repository, so as to filter-out the sloppiness during PR reviews.



For an excellent example of sloppy reasoning, look no further than Ornament and Crime: https://faculty.risd.edu/bcampbel/Loos-Ornament%20and%20Crim...

It argues that all art is erotic, that if you have a tattoo it is only a matter of time until you murder someone, and expresses something about Negroes that I don't care to look for again. (It was written in 1900 or so. I wonder what people in 2120 will wince about when they read our important works?)

The frustrating thing is, I agree with many of the points in the essay. There's always something there: a grain of truth in the framework of obfuscation. But they dress it up. The essay even frames it as "Here is something I have discovered, which I now bestow upon the world." It's not a direct quote, but it may as well be; many philosophers share that air of fake importance.

If only he was relaxed, he could have gotten his points across to many more people. "I get over a fire much more easily when only worthless garbage has been burned." Interesting point. "Every age had its style, is our age alone to be refused a style? By style, people meant ornament." Great observation! Notice how we eschew ornament; HN is bare, Twitch is austere, Youtube is as minimalistic as possible. If you image search DaVinci, it's hard to find a single example of anything containing ornament. Coincidence? Works without ornament are timeless.

But something comes over people -- simple isn't enough. Me too. I wrote a downvote hiding extension for HN, and I was embarrassed that the v1 was only a few lines of code. "It doesn't even hide your karma if you look at your profile!" So I wrote a far more complicated v2 and shipped that. Surprise, HN shipped an update and now it broke. v1 works fine. You're certainly familiar with this phenomenon in almost every aspect of our profession. What is going on there? It's worth exploring.

But philosophers manage to obscure these observations in the most complicated ways. And unfortunately, those complications introduce mistakes that make it easy to dismiss the rest of the work, along with the good ideas.


Simple is robust is best.


>The ideas were certainly interesting, but had no real provable basis, and just seemed to be the reasoned expression of one author's individual sense of alienation - more like artistic expression than any real solution to the dilemma of civilization or consciousness.

An example to what you're referring to would strengthen your case, though my own experience has been almost exactly opposite; although many works are certainly difficult to read not only for the obscurity of the terms and the form of content used but also for their disturbing and socially challenging content, I don't think they rely on sloppy reasoning; take Marcuse's One-Dimensional Man for example; he speaks in terms the reader can identify with, not using formal logic.

For example, an enlightening passage on freedom under the idea of freedom of enterprise:

>Freedom of enterprise was from the beginning not altogether a blessing. As the liberty to work or to starve, it spelled toil, insecurity, and fear for the vast majority of the population. If the individual were no longer compelled to prove himself on the market, as a free economic subject, the disappearance of this kind of freedom would be one of the greatest achievements of civilization. The technological processes of mechanization and standardization might release individual energy into a yet uncharted realm of freedom beyond necessity. The very structure of human existence would be altered; the individual would be liberated from the work world's imposing upon him alien needs and alien possibilities. The individual would be free to exert autonomy over a life that would be his own. If the productive apparatus could be organized and directed toward the satisfaction of the vital needs, its control might well be cen-tralized; such control would not prevent individual autonomy, but render it possible.

As we can see, he uses no historical examples (at least not yet), he uses no logic or even dielactic. It's philosophy which prompts the reader to think about their own situation and what that freedom means to them.

Ultimately all action begins with the thinking subject; if we restrict ourselves to strictly empirical forms of knowledge then I think we throw out too much as it relates to how people actually live. I would much much much rather than we and academics continue to search and define boundaries, as almost everybody recognises the relevance of critiques delivered by the likes of Debord, Marcuse and Baudrillade on the social side of the Marxian coin.




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